David Reed was born 1946 in San Diego, CA, USA
Lives and works in New York, USA
Education
1968 BA, Reed College, Portland, OR, USA
1967 New York Studio School, NY, USA
1966 Skowhegan School of Painting and Sculpture, Skowhegan, ME, USA
Solo Exhibitions
2024
Whirlpool, Galerie Nathalie Obadia, Paris, France
2022
Losing and Finding, Gagosian, Basel, Switzerland
2020
David Reed: New Paintings. Gagosian, 980 Madison, New York, USA
2019
David Reed: Drawings, Kunstmuseum Winterthur, Winterthur, Switzerland
2018
David Reed: I’m trying to get closer but ..., Häusler Contemporary, Zurich, Switzerland
David Reed: Recent Paintings, Galerie Anke Schmidt, Köln, Germany
2017
Painting Paintings (David Reed) 1975. Curated by Katy Siegel and Christopher Wool. Gagosian , 980 Madison Ave., New York, USA
2016
David Reed, Peter Blum Gallery, New York, USA
David Reed, Pérez Art Museum, Miami, USA
Artificial Light: David Reed, Rose Art Museum at Brandeis University, Waltham, USA New Paintings, Peter Blum Gallery, New York, USA
2015
Hamburger Bahnhof, Berlin (with Mary Heilmann), Germany
David Reed- Haus Lange, Imi Knoebel- Haus Esters, Kunstmuseen Krefeld, Germany
2013
David Reed. Recent Paintings, Häusler Contemporary Zürich, Switzerland
2012
David Reed. Heart of Glass, Paintings and Drawings 1967-2012, Kunstmuseum Bonn, Germany
The Indiscipline of Painting, Mead Gallery, Coventry, UK
Galería Marta Cervera, Madrid, Spain
2010
Galerie Schmidt Maczollek, Cologne, Germany
Works on Paper, Peter Blum Soho, New York, USA
2009
Recent Paintings, Häusler Contemporary, Munich, Germany
2008
David Reed: Lives of Paintings, Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, OR, USA
2007
Max Protetch Gallery, New York, USA
2006
Galerie Schmidt Maczollek, Cologne, Germany
2005
Galerie Bob van Orsouw, Zürich, Switzerland
Leave Yourself Behind: Paintings and Special Projects 1967 - 2005. Ulrich Museum of Art,
Wichita State University, Kansas; traveled to Roswell Museum and Art Center, Roswell, New Mexico, USA
2004
Max Protetch Gallery, New York, USA
Galerie Xippas, Paris, France
2003
Galerie Rolf Ricke, Cologne, Germany
2002
Max Protetch Gallery, New York, USA
Patricia Faure Gallery, Los Angeles, CA, USA
2001
*David Reed - You look good in blue. Kunstmuseum St.Gallen, St.Gallen, Switzerland; traveled to Kunstverein Hannover, Hannover, Germany
2000
Galerie Rolf Ricke, Cologne, Germany
Galerie Bob van Orsouw, Zurich, Switzerland
1999
Galerie Xippas, Paris, France
David Reed - Painting / Vampire Study Center. Goldie Paley Gallery, Moore College of Art andDesign, Philadelphia, PA, USA
Max Protetch Gallery, New York, USA
1998
David Reed Paintings: Motion Pictures, Museum of Contemporary Art, San Diego, CA, USA
Max Protetch Gallery, New York, USA
1997
Galerie Rolf Ricke, Cologne, Germany
Galerie Bob van Orsouw, Zurich, Switzerland
Patricia Faure Gallery, Los Angeles, CA, USA
1996
Donna Beam Fine Art Gallery, University of Nevada Las Vegas, NV, USA
New Paintings for the Mirror Room and Archive in a Studio off the Courtyard, Neue Galerie am Landesmuseum Joanneum, Graz, Austria
1995
David Reed, Kölnischer Kunstverein, Cologne, Germany; traveled to the Württembergischer Kunstverein, Stuttgart, Germany (with Beat Streuli); traveled to the Westfälischer Kunstverein, Münster, Germany
Max Protetch Gallery, New York, USA
1993
Galerie Rolf Ricke, Cologne, Germany
1992
Max Protetch Gallery, New York, USA
Walter / McBean Gallery, San Francisco Art Institute, San Francisco, CA, USA
1991
Galerie Rolf Ricke, Cologne, Germany
Max Protetch Gallery, New York, USA
1989
Max Protetch Gallery, New York, USA
1988
Asher/Faure Gallery, Los Angeles, CA, USA
Max Protetch Gallery, New York, USA
1986
Max Protetch Gallery, New York, USA
1985
Max Protetch Gallery, New York, USA
1983
Max Protetch Gallery, New York, USA
1980
Institute for Art and Urban Resources / The Clocktower, New York, USA
Painting Residency, Fashion Moda, Bronx, New York, USA
1979
Max Protetch Gallery, New York, USA
1977
Nancy Lurie Gallery, Chicago, Illinois Max Protetch Gallery, New York, USA
Protetch-McIntosh Gallery, Washington, D.C., USA
1976
Rush Rhees Gallery, University of Rochester, New York, USA
1975
Susan Caldwell Gallery, New York, USA
Faculty Office Building Gallery, Reed College, Portland, OR, USA
Group Exhibitions
2024
DEAR FUTURE ME, Thomas Rehbein Galerie, Cologne, Germany
From Gerhard Richter to Mary Heilmann - Abstract Art from Private Collections and the Museum’s Holdings, Kunst Museum Winterthur, Switzerland
The Haniel Collection – Distinctly Unique, MKM Museum Küppersmühle, Duisbourg, Germany
Pictorial Resonance, Galerie Thomas Schulte, Berlin, Germany
2023
To Bend the Ear of the Outer World : Conversations on contemporary abstract painting, curated by Gary Garrels, Gagosian London, UK
2022
Given Time (curated by Curated by Molly Sullivan), The Milton Resnick and Pat Passlof Foundation, New York, USA
Earth: A Retrospective, El Ultimo Grito and the Per Amor a l’Art Collection, Bombas Gens Centre d’Art,
Valencia, Spain
DIFY Diaspora: In Memory of Dave Hickey, Donna Beam Gallery, Las Vegas, USA
Singing in Unison: Artists Need to Create On the Same Scale That Society Has the Capacity to Destroy, Part 7 (curated by Phong H. Bui and Cal McKeever), Industry City, Brooklyn, USA
Singing in Unison: Artists Need to Create On the Same Scale That Society Has the Capacity to Destroy, Part 2 (curated by Phong H. Bui and Cal McKeever), The Scully Tomasko Foundation, New York, USA
2018
Under Erasure, Pierogi, New York, USA
2017
FOTG: The first of four shows marking the gallery’s first 25 years, Mitchell Algus Gallery, New York, USA Kienzle Collection, Kunstmuseum Liechtenstein Vaduz, Liechtenstein
Per Amor a l’Art Collection. Ornament = crime?, Bombas Gens Centre d’Art, Valencia, Spain
Koka Ramisvhili: Independent Organism II, Häusler Contemporary, Zurich, Switzerland
Hugh Evans: Recent Paintings, University of Kentucky Art Museum, Lexington, USA
2016
DRAWINGS, Galerie Anke Schmidt, Cologne, Germany
Order and Color | A Dialogue with Collection Günter Hackenberg, Häusler Contemporary München, München, Germany
How to be Unique. Kienzle Art Foundation, Berlin, Germany
Splotch, Sperone Westwater Gallery, New York, USA
Jackson Pollock’s Mural: Energy Made Visible, Museo Picasso Malaga, Malaga, Spain
Painting 2.0 - Malerei im Informationszeitalter, Museum Moderner Kunst Stiftung Ludwig (MUMOK), Vienna, Austria
Richard Allen Morris and David Reed, Häusler Contemporary, Munich, Germany
A quoi tient la beauté des étreintes, FRAC, Auvergne, Clermont Ferrand, France
2015
PAINTING 2.0: EXPRESSION IN THE INFORMATION AGE, Brandhorst Museum, Munich, Germany Random Sampling - Paintings from Sammlung Goetz, Haus Der Kunst, Munich, Germany
Jackson Pollock’s Mural, Energy Made Visible, Kunsthalle Deutsche Bank, Berlin, Germany
Elementary Painting, Kunstmuseum St. Gallen, St. Gallen, Switzerland
Schön, euch zu sehen. 160 Werke aus der Sammlung (Nice to see you. 160 works from the collection), Kunstmuseum Liechtenstein 12 Painters: The Studio School, 1974/2014, Steven Kasher Gallery, New York, USA
«L’OISEAU PRÉSENTE-«BE ABSTRACT», Bal, Germany
SUMMER GROUP EXHIBITION, Quint Gallery, La Jolla, USA
À QUOI TIENT LA BEAUTÉ DES ÉTREINTES, FRAC Auvergne, France
2014
Teach Us To Outgrow Our Madness, Galerie Thomas Schulte, Berlin, Germany
Szalon, Reva and David Logan Center for the Arts, University of Chicago, Chicago, IL, USA
Eight Books two weeks – Kienbaum Artists’ Books, t.a.t. new talents Cologne, Germany
Invitational Exhibition of Visual Arts, The American Academy of Arts and Letters, New York, USA
Works on Paper 1963-2013, Galerie Schmidt Maczollek, Cologne, Germany
Elementary Painting, curated by Konrad Bitterli, Kunstmuseum St. Gallen, Lichtenstein,Germany
Pictures of Everything, curated by Dion Johnson, Harris Gallery, University of La Verne, La Verne, California, USA
OUTSIDE THE LINES: RITES OF SPRING, curated by Dean Daderko, Contemporary Arts Museum Houston, Texas, USA
David Reed & James Turrell, Häusler Contemporary Lustenau, Austria
Thinking Through Painting, The Royal Academy of Fine Arts, Stockholm, Sweden
Pictures of Everything, Harris Gallery, University of La Verne, CA, USA
(Detail), Transition Gallery, London, UK
Outside the Lines: Rites Of Spring, Contemporary Arts Museum Houston, TX, USA
2013
Hybrid Painting, Mario Mauroner Contemporary Art, Vienna, Austria
American Abstract Artists– A Selection, Kent State School of Art Gallery, Kent, USA
Misdirect Movies, Standpoint Gallery, London, England, UK
Sous l’Amazone coule un fleuve, FRAC, Clermont Ferrand, France
Pour, Asya Geisberg Gallery, New York, USA
May Kind of Disneyland, Märkisches Museum Witten, Germany
Movement, Bregenzer Kunstverein, Bregenz, Austria
2012
Heat Waves, Peter Blum Chelsea, New York, USA
Inside Outsiders, Mary Heilmann & Friends, East Hampton, USA
2011
William Eggleston and David Reed, Peder Lund, Oslo, Norway
70 Years of Collecting, Weatherspoon Art Museum, Greensboro, North Carolina, USA
2010
Highlights of the Schaufler Collection, Schauwerk Sindelfingen Sindelfingen, Germany Surprise no 2 - W. Bullinger, A.
Eloyan, D. Reed, Gallerie Bob von Orsouw, Zurich, Switzerland
INSIDE OUT, Susan Inglett Gallery, New York, Curated by Eli Ping, USA
Color and Content, Kunstmuseum Bonn, Bonn, Germany
Malerei: Prozess und Expansion von den 1950er Jahren bis heute, Museum Moderner Kunst, Vienna, Austria Curator Rainier Fuchs)
2008
Las Vegas Collects Contemporary, Las Vegas Art Museum, Las Vegas, Nevada, USA
Sehnsucht (Aspiration), Light&Sie, Dallas, Texas, Curated by Georges Armaos, USA
The 183rd Annual: An Invitational Exhibition of Contemporary American Art, The 183rd Annual: An Invitational Exhibition of Contemporary American Art, USA
2007
Das Kapital, Blue Chips and Masterpieces. Museum für Moderne Kunst, Frankfurt/Main,Germany
Brave Lonesome Cowboy: Western Topoi in Contemporary Art or: For John Wayne’s 100th Birthday.
(curated by Konrad Bitterli and Andreas Bauer). Galerien der Stadt Esslingen, Villa Merkel, Germany and Kunstmuseum St. Gallen, Switzerland
RoseArt. Works from the Permanent Collection. The Rose Art Museum of Brandeis University, Waltham, MA, USA
Not for Sale. P.S.1 Contemporary Art Center, Long Island City, NY, USA
2006
New Now Next: The Contemporary Blanton. Jack S. Blanton Museum of Art, Austin, TX, USA
2005
Very Early Pictures. An exhibition of drawings (and works in other media) made by contemporary artists when they were children (curated by Richard Torchia). Arcadia University Art Gallery, Glenside, PA, USA
“Post” and After: Contemporary Art from the Brandies University Collection (curated by Katy Siegel). The Rose Art Museum of Brandeis University, Waltham, MA, USA
Vertiges (curated by Jean-Marc Bustamante). Printemps de Septembre a Toulouse (Les Abattoirs), France
Collection Histories/Collective Memories: California Modern. Orange County Museum of Art,
Newport Beach, CA, USA
Extreme Abstraction (curated by Louis Grachos and Claire Schneider). Albright Knox Gallery,
Buffalo, NY
POPulence (curated by David Pagel). Blaffer Gallery, Houston, TX
What’s New, Pussycat? Neuerwerbungen und Sammlung Stroeher. Museum fuer Moderne Kunst Frankfurt am Main, Germany
The Continous Mark: 40 Years of the New York Studio School (curated by Jennifer Sachs Samet).
New York Studio School
Sweet Temptations. Dialoge mit der Sammlunf Rolf Ricke. Kunstmuseum St.Gallen, Switzerland
Willem de Kooning (curated by Florian Steininger). BA-CA Kunstforum, Vienna, Austria
2004
Me Myself I (curated by Konrad Bitterli). Konstruktionen von Raum und Identitaet in der Kunst der Gegenwart. Kunstmuseum St.Gallen, Switzerland
Gesture Suggestion. Vous Etes Ici, Amsterdam, the Netherlands
Painting Now: Selections from the Permanent Collection. Museum of Contemporary Art,
San Diego, CA, USA
Le Syndrome de Babylone. Centre d’Art Contemporain de la Villa du Parc, Geneve, Switzerland
Still Mapping The Moon. Perspektiven zeitgenoessischer Malerei / Perspectives on Contemporary
Painting. Kunstmuseum Bonn, Germany
David Reed. Malerei. Neues Museum, Nuernberg, Germany.
Surface Tension (curated by Manon Slome). Chelsea Art Museum, NY
The Void and the Plentitude (curated by Martin Hentschel). Museum Haus Esters, Krefeld, Germany
In The Spotlight. Rose Art Museum, Brandeis University, Waltham, MA, USA
100 Artists See God (curated by John Baldessari and Meg Cranston). Independent Curators International, traveling group show
2003
Greetings from New York: A Painting Show. Galerie Ropac, Salzburg, Austria
ON. Renos Xippas Gallery, Athens, Greece
Jessica Stockholder: “Table Top Sculpture”. Gorney Bravin + Lee, New York, NY
Perpetuum Mobile (curated by Guenter Umberg). 40 Jahre Galerie Rolf Ricke,. Cologne, Germany
Intricacy (curated by Greg Lynn). Institute of Contemporary Art Philadelphia, PA;
traveled to Yale University, New Haven, CT
New Abstract Painting - Painting Abstract Now: Abstraktion in der neuen Malerei
(curated by Ute Riese). Museum Morsbroich Leverkusen, Germany
Painting Pictures (curated by Gijs van Tuyl and Annelie Luetgens). Malerei und Medien im digitalen Zeitalter. Kunstmuseum Wolfsburg, Germany
Trespassing: Houses X Artists (curated by Linda Taalman and Alan Koch). Bellevue Art Museum, WA, USA
traveled to MAK Center for Art and Architecture, Los Angeles, CA; traveled to the University of South Florida Contemporary Art Museum, Tampa, FL; traveled to Blaffer Gallery at the University of Houston, TX; traveled to the Palm Springs Desert Museum, CA, USA
Schokolade, was denn sonst: Sammlung Rolf Ricke. Kunstraum Innsbruck, Innsbruck, Austria
We Love Painting: The Contemporary American Art from Misumi Collection. Museum of
Contemporary Art, Tokyo, Japan
Postimpact. Portalakis Collection, Athens, Greece
2002
Das Museum, die Sammlung, der Direktor und seine Liebschaften (curated by Udo Kittelmann).
Museum moderner Kunst, Frankfurt am Main, Germany
Einfach Kunst: Sammlung Rolf Ricke. Neues Museum, Nuernberg, Germany
Another World: Zwoelf Bettgeschichten / Twelve Bedroom Stories. Kunstmuseum Luzern,
Switzerland Raum fuer Malerei / The Painting Room. Kaiser Wilhelm Museum, Krefeld, Germany
Mood River (curated by Jeffrey Kipnis). Wexner Center for the Arts, The Ohio State University, Columbus, OH, USA
Time / Frame (curated by Annette DiMeo Carlozzi). Jack S. Blanton Museum of Art, The University of Texas at Austin, USA
Transcendent & Unrepentant. Rosenwald Wolf Gallery, the University of the Arts, Philadelphia, PA, USA
2001
The Magic Hour: Die Konvergenz von Kunst und Las Vegas (curated by Alex Farquharson).
Neue Galerie Im Kuenstlerhaus, Graz, Austria
Lateral Thinking: Art of the 1990’s. Museum of Contemporary Art, San Diego, CA, USA
Cinema Studies (curated by Aruna d’Souza). Lucas Schoormans, NY, USA
Vertigo (curated by Gerald Matt). Ursula Bickle Stiftung, Kraichtal, Germany; traveled to Vorarlberger Kunstverein, Bregenz, Austria
Hybrids: International Contemporary Painting (curated by Simon Wallis). Tate Liverpool, UK
Ornament and Abstraction (curated by Markus Bruederlin). Fondation Beyeler,
Riehen/Basel, Switzerland
Pleasures of Sight and States of Being (curated by Roland Nasgaard). Museum of Fine Arts,
Florida State University, USA
2000
How you look at it: Photographs of the 20th Century (curated by Thomas Weski and Heinz Liesbrock). Sprengel Museum Hannover, Germany
Body of Painting (curated by Guenter Umberg). Museum Ludwig, Koeln, Germany
Eva Knutz & David Reed. Art Resources transfer, Inc., NY, USA
Passe Compose / Futur anterieur. Musee d’Art Roger-Quilliot. Montferrand, France
Das Gedaechtnis der Malerei (curated by Sibylle Omlin and Beat Wimmer). Aargauer Kunsthaus, Aarau, Switzerland
Media / Metaphor: The 46th Biennial Exhibition (curated by Philip Brookman). Corcoran Museum of Art, WA, USA
Six Abstract Artists at the Milenium (curated by Robert Saltonstall Mattison). Dorsky Gallery, NY, USA
1999
Special Offer (curated by Rolf Ricke). Kassler Kunst Verein, Kassel, Germany
Postmark: An Abstract Effect (curated by Bruce W. Ferguson). Site Santa Fe, Santa Fe, USA
Mixed Bag: Summer Group Show. Schmidt Contemporary Art, St. Louis, MO, USA
Abstrakt. Galerie Thaddaeus Ropac, Salzburg, Austria
Moving Images (curated by Dirk Luckow and Jan Winkelmann). Galerie fuer Zeitgenoessische Kunst Leipzig. Leipzig, Germany
Aux derniere nouvelles... . FRAC D’Auvergne. Clermont Ferrand. France
Looking at Paintings / Looking for Painters: Gesture and Contemporary Painting (curated by Brian Stechschulte and Mike Underwood). University of Michigan, USA
Notorious: Alfred Hitchcock and Contemporary Art (curated by Kerry Brougher, Michael Tarantino
and Astrid Bowron). Museum of Modern Art Oxford, Oxford;traveled to Sydney, Tokyo, Odense
1998
The Erotic Sublime (Slave to the Rhythm) (curated by Nikolaus Ruzicska). Galerie Thaddaeus Ropac, Salzburg, Austria.
Geistes Gegenwart (curated by Petra Giloy-Hirtz and Peter B. Steiner). Dioezesanmuseum, Freising, and Heilig-Geist-Kirche, Landshut, Germany
Pop Abstraction (curated by Sid Sachs). Museum of American Art of the Pennsylvania Academy of the Fine Arts, Philadelphia, PA, USA
I’m Still In Love With You: Visual Artists and Writers Respond to the 1972 Album by Al Green
(curated by Steven Hull). Women’s 20th Century Club, Eagle Rock, CA, USA
Utz: A Collected Exhibition (curated by Stephanie Theodore). Lennon, Weinberg, Inc., NY, USA
Sick of Photography: A Painting Show (curated by Michael Darling). College of Creative Studies Gallery, University ofCalifornia, Santa Barbara, CA, USA
Die Neue Sammlung (1). Palais Liechtenstein, Museum Moderner Kunst Stiftung Ludwig,
Vienna, Austria.
Interior Landscapes: An Exhibition from the Collection of Clifford Diver. Delaware Art Museum,
Wilmington, Delaware, USA
From Here to Eternity: Painting in 1998 (curated by Ruth Kaufmann). Max Protetch Gallery, NY, USA
1997
Theories of the Decorative: Abstraction and Ornament in Contemporary Painting (curated by Paul Nesbitt and David Moos). Inverleith House, Royal Botanic Garden, Edinburg, Scotland; traveled to Edwin A. Ulrich Museum, WichitaState University, Wichita, KS, USA
Primarily Paint. Museum of Contemporary Art, San Diego, La Jolla, CA, USA
Pintura. Galeria Joan Prats, Barcelona, Spain; traveled to Galeria Marta Cervera, Madrid, Spain
After the Fall: Aspects of Abstract Painting Since 1970 (curated by Lilly Wei). Snug Harbor Cultural Center, Staten Island, NY, USA
Intimate Universe (Revisited): Seventy American Painters (curated by Michael Walls). Robert Steele Gallery, NY, USA
Schilderijen: Reinoud Van Vaught, Fabian Marcaccio, David Reed, Jonathan Lasker.Gallerie Tanya Rumpff, Haarlem, the Netherlands
Wetterleuchten (curated by Guenter Umberg). Galerie Evelyne Canus, La Colle-sur-Loup, France
Critiques Of Pure Abstraction (curated by Mark Rosenthal). Independent Curators, Inc., NY, USA
Stepping Up. Andrew Mummery, London, England, UK
Relations Between Contemporary Architecture and Painting: Greg Lynn, Fabian Marcaccio,David Reed, Jesse Reiser / Nanako Umemoto. Kuenstlerhaus Palais Thurn und Taxis, Bregenz, Austria
Some Lust. Patricia Faure Gallery, Santa Monica, CA, USA
Installations / Projects. Institute for Art and Urban Resources/P.S.1, Long Island City, NY, USA
1996
16 Artists. Patricia Faure Gallery, Santa Monica, CA, USA
Extended Minimal. Max Protech Gallery, NY, USA
Nuevas Abstracciones (curated by Enrique Juncosa). Museo Nacional Centro de Arte Reina Sofia,
Madrid, Spain; traveled to Museu d’Art Contemporani de Barcelona, Spain
Traveled to Kunsthalle Bielefeld, Germany
Abstract Practice. Galerie Thaddaeus Ropac, Salzburg, Austria. Form als Ziel muendelt immer in
Formalismus. Galerie Rolf Ricke, Cologne, Germany
Embededded Metaphor (curated by Nina Felshin). Independent Curators, Inc., NY, USA
Reconditioned Abstraction (curated by Martin Ball). Forum for Contemporary Art, St. Louis, MO, USA
Lydia Dona and New York Abstraction. Macdonald Stewart Art Centre, Guelph, Ontario, Canada
1995
Pittura/Immedia: Malerei in der 90er Jahren / Painting In the 90’s (curated by Peter Weibel).
Neue Galerie am Landesmuseum Joanneum, Graz, Austria
Das Abenteuer der Malerei / The Adventure of Painting (curated by Martin Hentschel and Raimund Stecker). Wuerttembergischer Kunstverein, Stuttgart, Germany and Kunstverein fuer die Rheinlande und Westfalen, Duesseldorf, Germany
Transatlantica, the America-Europa Non Representativa. Museo de Alejandro Otero, Caracas, Venezuela
Abstraction From Two Coasts. Lawing Gallery, Houston, TX, USA
Architecture of the Mind, Content in Contemporary Abstract Painting (curated by David Moos).
Galerie Barbara Farber, Amsterdam, the Netherlands
Mesotica: The America non-representativa. Museo de Arte y Diseno Contemporaneo,
San Jose, Costa Rica.
All About Edges: An Exhibition of Contemporary Abstract Painting (curated by Judith Tolnick).
Main Gallery, Fine Arts Center Galleries, University of Rhode Island, Kingston
Repicturing Abstraction: The Politics of Space, The Abducted Image, Basic Nature, From
Impulse to Image. Virginia Museum of Fine Arts, Richmond, VA, USA
Temporarily Possessed: The Semi-Permanent Collection. The New Museum of Contemporary Art, NY, USA
Going for Baroque: 18 Contemporary Artists Fascinated with the Baroque and Rococco (curated by Lisa Corrin). The Contemporary and The Walters Collection, Baltimore, MD, USA
Made In The U.S.A: Original Paintings on Paper. Bob van Orsouw Gallery, Zurich, Switzerland
Re-Fab: Painting Abstracted, Fabricated, and Revised (curated by Margaret Miller).
University of South Florida Contemporary Art Museum, Tampa, FL; traveled to Wolfson Galleries, Miami-Dade Community College, Miami, FL; traveled to the Robert Hull Fleming Museum, University of Vermont, Burlington, VT, USA
Videothek (curated by Christine Goegger). Galerie im Rathaus, Munich, Germany.
1994
New Paintings. Max Protetch Gallery, NY
Drama. Max Protetch Gallery, NY
Chance, Choice, and Irony (curated by Colin Crumplin). Todd Gallery, London, England;
traveled to John Hansard Gallery, University Southhampton, Southhampton, England
Recent Painting. Asher/Faure Gallery, Los Angeles, CA
Conditional Painting. Galerie naechst St. Stephan, Vienna.
Don’t Look Now (curated by Joshua Decter). Thread Waxing Space, NY
1993
Fractured Seduction: New Conceptual Abstract Painting, Eight Artist from New York(curated by Maia Damianovic). Artifact Gallery, Tel Aviv, Israel
Italia-America: L’astrazione ridefinita (curated by Demetrio Paparoni). Galleria Nazionale d’Arte Moderna, Republica de San Marino
Supervision (curated by Guenter Umberg and Rolf Hengesbach).
Raeume fuer neue Kunst, Wuppertal, Germany
Hotel Carlton Palace, Chambre 763 (curated by Hans-Ulrich Obrist). Paris, France
Bodies of Work (curated by Philip Pocock). Atelier Philip Pocock, Cologne, Germany
New York Painters: Donald Baechler, Ross Bleckner, Peter Halley, Jonathan Lasker, Richard Prince, David Reed, Peter Schuyff, Philip Taaffe, Christopher Wool.Sammlung Goetz, Munich, Germany
Eight Painters: Abstractions in the Nineties. Carl Solway Gallery, Cincinnati, OH
Byron Kim, David Lasry, David Reed: Paintings. Quint Gallery, La Jolla, CA
Panorama. Galerie Martina Detterer, Frankfurt am Main, Germany;
traveled to Galerie Jousse - Seguin, Paris, France
New American Abstraction: The Conscious Gesture. Marion Locks Gallery, Philadelphia, PA
New Moderns. Baumgartner Galleries, WA.
Der zerbrochene Spiegel: Positionen zur Malerei / The Broken Mirror: Approaches to Painting
(curated by Kasper Koeing and Hans-Ulrich Obrist).Museumsquatier Messeplatz und Kunsthalle Wien, Vienna, Austria; traveled to Deichtorhallen,Hamburg, Germany
Silent Echoes(curated by Christian Haub). Tennisport Arts, Long Island City, NY
Prospect 93: Eine Internationale Ausstellung aktueller Kunst / Prospect 93: An InternationalExhibition of Contemporary Art (curated by Peter Weiermair). Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt am Main, Germany
Ploetzlich ist eine Zeit hereingebrochen, in der alles moeglich sein sollte (Teil 2) (curated by
Udo Kittelmann). Kunstverein Ludwigsburg, Germany
“I am the Enunciator”(curated by Christian Leigh). Thread Waxing Space, NY
1992
Bedroom Pictures (curated by Terry R. Myers). Asher/Faure Gallery, Los Angeles, CA
Thomas Noskowski / David Reed. Baumgartner Galleries, WA
Slow Art: Painting in New York Now (curated by Alanna Heiss). Institute for Art and Urban Resources/P.S.1, Long Island City, NY
Abstrakte Malerie zwischen Analyse und Synthese / Abstract Painting between Analysis and Synthesis. Galerie naechst St. Stephan, Vienna, Austria.
Kinder! Macht neues! Galerie Rolf Ricke, Cologne, Germany.
1991
La metafisica della Luce / The Metaphysics of Light (curated by Demetrio Paparoni).
John Good Gallery, NY
Conceptual Abstraction. Sidney Janis Gallery, NY
The Lick of the Eye (curated by David Pagel). Shoshana Wayne Gallery, Santa Monica, CA
Hybrid Abstraction (curated by Joshua Decter). Bennington College Art Gallery, Bennington, VT
Strategies for the Next Painting (curated by Saul Ostrow). Wolff Gallery, NY;
traveled to Feigen Incorporated, Chicago, IL
Contemporary Abstract Painting:Resnick, Reed, Laufer, Moore (curated by Molly Sullivan). Muscarelle Museum of Art, College of William and Mary, Williamsburg, VA
1990
Token Gestures: A Painting Show (curated by Collins & Milazzo). Scott Hanson Gallery, NY
1989 Biennial Exhibition. Whitney Museum of American Art, NY
Non-Representation: The Show of the Essay (curated by Jeremy Gilbert-Rolfe).
Annie Plumb Gallery, NY
Diagrams and Surrogates (curated by Saul Ostrow). Shea and Becker Gallery, NY
Aus meiner Sicht: Eine Ausstellung von Rolf Ricke / Jubilee Exhibition of the Galerie Rolf Ricke.
Koelnischer Kunstverein, Cologne, Germany
Collapsing Light (curated by Jonathan Seliger). Laurie Rubin Gallery, NY
Postmodern Painters. John Good Gallery, NY
Artists of the 80’s: Selected Works from the Maslow Collection. Sordoni Art Gallery,
Wilkes College, Wilkes-Barre, PA
1988
A New Generation, The 80’s: American Painters and Sculptors. The Metropolitan Museum of Art, NY
Louise Fishman, Joan Mitchell, David Reed (curated by Marjorie Welish).
Barbara Toll Fine Arts Inc., NY
Collaborations in Monotype (curated by Phyllis Plous). University Art Museum,
University of California at Santa Barbara, Santa Barbara, CA
Formal (curated by Lance Kinz). Dart Gallery, Chicago, IL
Seven American Abstract Artists (curated by David Carrier). Ruggerio Henis Gallery, NY
1987
Monsters: The Phenomena of Dispassion (curated by Dennis Kardon and Maria Reidelbach).
Barbara Toll Fine Arts, Inc., NY
Interstices (curated by Jonathan Seliger). Laurie Rubin Gallery, NY
Meaning (curated by David Humphrey). Four Walls, Hoboken, NJ
New Locations. Wolff Gallery, NY
Romantic Science (curated by Stephen Westfall). One Penn Plaza, NY
The Four Corners of Abstract Painting (From Sincerity to Sarcasm, from Formalism to Expressionsim) (curated by Bill Arning). White Columns, NY
Print / Film(curated by Victoria Brown and Christian Haub). Bess Cutler Gallery, NY
Abstract Painting. Asher/Faure Gallery, Los Angeles, CA
Generations Of Geometry: Abstract Panting in America Since 1930 (curated by Cheryl Epstein, M. Christine Hunnisett and Kimmo Sarje). Whitney Museum of American Art at Equitable Center, NY
40th Biennial Exhibition of Contemporary American Painting (curated by Ned Rifkin).
The Corcoran Gallery of Art, WA
1986
Abstraction / Abstraction (curated by Elaine A King).
Carnegie Mellon University Art Gallery, Pittsburgh, PA; traveled to Klein Gallery, Chicago, IL
Geometry Now (curated by Ruth Kaufmann). Craig Cornelius Gallery, NY
1985
Smart Art: New Work from New York (curated by Joseph Masheck). Carpenter Center for Visual Arts, Harvard University, Cambridge, MA
The Non-Objective World-1985: A Selection of Abstract Painting and Sculpture
(curated by Stephen Westfall). Kamikaze, NY
An Invitational (curated by Tiffany Bell). Condeso/Lawler, NY
Abstract / Issues (curated by Steven Henry Madoff). Sherry French Gallery,
Tibor De Nagy and Oscarsson Hood, NY
The Art of the 1970’s and 1980’s. Aldrich Museum of Contemporary Art, Ridgefield, CT
1984
24 x 24 x 24: An Invitational Exhibition. Ruth Siegel, NY
David Reed / Jackie Ferrara. Susan Montezinos Gallery, Philadelphia, PA
Invitational Painting Exhibition: Part 1, Twelfe Abstract Painters(curated by Michael Walls).
Siegel Contemporary Art, NY
Abstract Painting (curated by Per Jensen). Susan Montezinos Gallery, Philadelphia, PA
Current 6: New Abstractions. Milwaukee Art Museum, Milwaukee, WI
Small Works: New Abstract Painting(curated by Tom Hudspeth and Ron Janowich).
Williams Center for the Arts, Lafayette College, Easton, Pennsylvania and Center for the Arts,
Muhlenberg College, Allentown, PA
1983
Language, Drama, Source, and Vision(curated by Lynn Gumpert, Ned Rifkin and Marcia Tucker)
. The New Museum of Contemporary Art, NY
Contemporary Abstract Painting and Center for the Arts (curated by Tom Hudspeth).
Muhlenberg College, Allentown, PA
Nocturne. Siegel Contemporary Art, NY
Three Painters: Sean Scully, David Reed, Ted Stamm. Zenith Gallery, Pittsburgh, PA
1982
An Exhibition of Abstract Painting (curated by Craig Fisher). Art Galaxy, NY
Pair Group: Current and Emerging Styles in Abstract Painting (curated by Bill Zimmer).
Jersey City Museum, NJ
Abstract Painting. Maryland Institute College of Art, Baltimore, MD
1981
Arabia Felix (curated by Bill Zimmer). Art Galaxy, NY
Bertha Urdang Gallery, NY
1980
Recent Acquisitions. La Jolla Museum of Contemporary Art, La Jolla, CA
Investigations: Probe, Structure, Analysis: Agnes Denes, Lauren Ewing, Vernon Fisher, Stephen Prina, David Reed. The New Museum of Contemporary Art, NY
1979
Ateliers Aujourd’hui: Oeuvres Contemporanies des Collections Nationales / Accrochage II. Centre Nationale d’Art et de Culture Georges Pompidou, Paris, France
Fourteen Painters. Herbert Lehman College, Bronx, NY
1978
Two Decades of Abstraction. University Galleries, University of South Florida, Tampa, FL
1977
Recent Acquisitions. Centre Nationale d’Art et de Culture Georges Pompidou, Paris, France
1976
Max Protetch Gallery, NY
Students’ Choice. Yale University School of Art, New Haven, CT
1975
Abstraction: Alive and Well. State University College, Potsdam, NY
Fourth Annual Contemporary Reflections 1974-75. Aldrich Museum of Contemporary Art,
Ridgefield, CT
1975 Biennial Exhibition. Whitney Museum of American Art, NY
1974
Marylin Lenkowsky, David Reed, Herbert Schiffrin. Susan Caldwell Gallery, NY
John Elderfield, Max Gimblett, David Reed. Cuningham-Ward Gallery, NY
Seven New York Artists. Nina Nielsen Gallery, Boston, MA
1973
Lo Guidice Gallery, NY
1972
Six Painters in the ‘70s: Abstract Painting in New York (curated by John Minor Wisdom). Ackland Art Center, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina
1970
A Clean Well-Lighted Place. Austin, TX
A Gift of Time. Santa Fe Museum of Fine Arts, Santa Fe, NM
AWARDS AND GRANTS
1991
National Endowment for the Arts, Visual Arts Fellowship
1988
John Simon Guggenheim Memorial Foundation, Fellowship
1969
Roswell Museum and Art Center, Grant
1966
Rockefeller Foundation, Fellowship
BIBLIOGRAPHY
2006
David Reed, Eli Langer. Frank, Peter. LA Weekly, July 12, 2006
Art Review: David Reed Paintings: Motion Pictures Miles, Christopher. Los Angles Times, 2006
2005
David Reed at Ulrich Museum of Art. Call, Christin. Review, June: p. 60 – 61
David Reed at Max Protetch. Maine, Stephen. Art in America, May
2004
David Reed. Schwendener, Martha. Time Out New York, December
2003
Issues and Commentary: A Quiet Crisis. Rubenstein, Rahael. Art in America, March: p. 43
2002
David Reed at Max Protetch. D’Souza, Aruna. Art in America, September: p. 126
An Artist Who Can Make Paint Behave Strangely. Pagel, David. Los Angeles Times, March 15, 2002
Best of… Siegel, Katy. Artforum, December: p. 126
2001
David Reed Kunstmuseum St. Gallen. Rimanelli, David. Artforum, September
David Reed Kunstmuseum St. Gallen, Switzerland. Soutif, Daniel. Artforum, November: p. 139
2000
David Reed Max Protetch. Siegel, Katy, Artforum, January: p. 113.
1999
Davis Reed, Galerie Xippas. Boulbes, Carole. Art Press, Paris #251: p. 83 – 84
David Reed: Museum of Contemporary Art, San Diego. Calame, Ingrid. Art Issues,
January/February: p.36
Bedside Manner. Danto, Arthur C. Artforum, Summer: pp.120-125
Reed, Trio Grande. Debailleux, Henri Francois. Libération, Paris, September: p.38
Perhaps it Depends on the Pressure. Gilbert-Rolfe, Jeremy.
The Chinati Foundation, vol. 4, September 1999
Best of the ‘90’s: A Special Issue: Top Ten. Hickey, Dave. Artforum, December: p. 112
An Apostle Demistifies Brushwork. McQuaid, Kate. The Boston Globe, November 26: p. D-5
A Minimalist in Baroque Trappings. MacAdam, Barbara A. ArtNews, December: p. 158-162 David Reed: Museum of Contemporary Art, San Diego. Pincus, Robert. ARTNews, February 1999: p.120.
Drawing Blood. Rice, Robin. Philidelphia City Paper, September / October
Dracula on the Lam. Rosenhlotz, Ellen M. Philadelphia Weekly, September 29
David Reed, Motion Pictures. Schwendener, Martha. Time Out New York, (No. 199/July: p.58.
A Lusious Journey, Exhaustively Annotated. Smith, Roberta. New York Times, August 20th: p. E35.
Pictorial abstraction: between reality, invention. Sozanski, Edward J. The Philadelphia Inquirer,
September 26
Art for Architecture’s Sake. Sullivan, John J. Metropolis, December: p. 66 - 71
Moving Pictures at an Exhibition. Viveros-Faune, Christian. Art Papers,
November/December: p. 32 - 37
Was das Bild im Schlafzimmer sieht. Wagner, Thomas. Frankfurter Allgemeine Zeitung, August 11: p.43
Reed Exhibit Challenges Notion That Art is Dead. Wilson-Powell, Malins.
Albuquerque Journal, May 27: p.8
1998
Sonnenuntergang für Vampire: Drauben die tosende Brandung und das Licht Kaliforniens - David Reed im Museum of Contemporary Art, San Diego.
Christofori, Ralf. Frankfurter Allgemeine Zeitung, December 6th, p.44
The Art of Seduction: David Reed’s swirling use of color is as dramatic as it is erotic.Pincus, Robert L. The San Diego Union Tribune, October 22: p.36
Reed’s Sense and Sensuality. Knight, Christopher. Los Angeles Times, October 6: p.D1
Ultraloungerie: Painting from Another Planet: New Painting from Los Angeles, Deitch Projects; David Reed, Max Protetch Gallery. Schjeldahl, Peter. The Village Voice ,June 23: p.54
David Reed, Max Protech, Chelsea. Damianovic, Maia. Tema Celeste
1997
Top Ten x 12: The Year in Review. Hickey, Dave. Artforum 36, no. 4, December: p.89
Las Vegas in Cinemascope, Bilder und Videoinstallationen von David Reed in Köln. Huemer, Markus. Neue Bildende Kunst, April: p.100
David Reed at Patricia Faure Gallery. Iannaccone, C. LA Weekly, March 14‹20: p.64
Durch das kalte Feuer des Barock, der Maler David Reed zeigt Hitchcock-Paraphrasen und Bilder aus Las Vegas in einer Kölner Galerie. Imdahl, Georg. Frankfurter Allgemeine Zeitung July 16: p.34
David Reed at Patricia Faure Gallery. Joyce, Julie. Art Issues, no. 48, Summer: p.41
David Reed, Patricia Faure Gallery. Kandel, Susan. Los Angeles Times, February 28: p. F1, F24
David Reed, Patricia Faure Gallery. Pagel, David. art/text, no. 58, August - October: p.85 - 86
Abstraction Out of Bounds. Rubinstein, Meyer Raphael. Art in America 85, no.11,
November: p.104 - 115
1996
David Reed: der Film als Bild. Buergel, Roger M. Neue Bildende Kunst, April/May: p.52 - 53
David Reed and Manhattan Baroque.Danto, Arthur C. art press, no. 218, November: p.55 - 60
It’s Abstract, All Right. Duffy, Robert. St. Louis Dispatch, December 1: p.4C
Abstractie als Hedendaags Realisme. Késenne, Joannes. Kunst & Cultuur, May: p.6
David Reed, Kunstvereine in Köln, Stuttgart und Münster. Neumaier, Otto.
Noema, Art Journal, Winter: p.73
1995
Painting and Architecture: Conditional Abstractions. Allen, Stan. Abstraction. Journal of Philosophy and the Visual Arts, no. 5: p.60 - 71
Köln: Ein Blick mit David Reed ins Schlafzimmer im Kölnischen Kunstverein. Blase, Christoph.
Kunst-Bulletin, no. 3, March: p.39 - 40
David Reed, Max Protetch Gallery. Drolet, Owen. Flash Art 28, no. 183, Summer: p.129
David Reed, Kunstvereinen in Köln, Stuttgart und Münster. Ermen, Reinhard.
Kunstforum International, no. 130, May - July: p.376 - 77
Maler im Schlafraum. Freudenberger, A. De Schnüss, Bonn, March.
60 Fractions of Megohm. Madore, Michael. Trans-, Premiere Issue, November: p.147-151
Seducing the Eye, Contemporary Painters and Sculptors Turn to Sensuous Abstractions that Revel in Contradictions. Melrod, George. Art & Antiques, March: p.31
Köln: David Reed, per Bild bei Hitchcock zu Besuch.Nemeczek, Alfred. art-das Kunstmagazin,
February: p.80-81
David Reed - ‘Bedroom Paintings’/ ‘Vertigo’ Kölnischer Kunstverein. Pocock, Philip. Texte zur Kunst, May: p.175-77
Bild für Bett gewünscht. Schroeder, Annette. Kölnische Rundschau, January 26
Spiele mit Hitchcock”s ‘Vertigo’ Kölns Kunstverein zeigt den Amerikaner David Reed erstmals in
Europa: Bilder und eine Installation. von Taschitzky, Thomas. Kölner Stadt-Anzeiger,
January 26: p.11
David Reed at Max Protetch Gallery. Wei, Lilly. Art in America 83, no. 6, June: p.102
David Reed, Max Protetch Gallery. Ziolkowski, Thad. Artforum 33, no. 9, May: p.99
1994
Critiques of Pure Abstraction, David Reed. Rosenthal, Mark. Atelier, Magazine of International Art, October: p.78 and cover
1993
Byron Kim, David Lasery and David Reed: Paintings. Pincus, Robert. The San Diego Union-Tribune, November 18: p.17
1992
Abstract, But Full of Substance, ‘Bedroom Painter’ at Home with Gestural Extravagance. Bonetti, David. San Francisco Examiner, August 11:p.B1, B3
(critical edge): The Outlaw Academy. Cameron, Dan. Art & Auction 14, no. 10, May: p.96-98
Im Totentanz der Stile, die Chancen abstrakter Malerei/Kunstadebatte in Wien. Gorsen, Peter.
Frankfurter Allgemeine Zeitung, Donnerstag, March 5: Nr. 55, p.31
Abstrakte Malerei zwischen Analyse und Synthese, Galerie nächst St. Stephan. Moser, Ulli.
Kunstforum International, May/June: p. 370-72
Consciousness in the Abstract, A New Look at Abstract Painting. Murphy, Mary.
New Art Examiner 19, June/Summer: p.16-20
Abstraktion Heute. Nesweda, Peter. Noema, Art Journal, April - June: p.106-107
1991
David Reed: Max Protetch Gallery. Brenson, Michael. New York Times, March 15: p.C26
David Reed, Max Protetch Gallery. Decter, Joshua. Arts Magazine 65, no. 9, May: p.103-104
Painting Movement: The Work of David Reed. Gilbert-Rolfe, Jeremy.
Arts Magazine 66, no. 1, September: p.36-37
“David Reed, Max Protetch Gallery. Morgan, Robert C. Tema Celeste, May-June: p.89
David Reed at Max Protetch Gallery. Rubinstein, Meyer Raphael.
Art in America 79, no. 7, July: p.116-17.
David Reed: Galerie Rolf Ricke. Smolik, Noemi. Kunstforum International, July - August: p.360-61
1990
David Reed: Max Protetch Gallery. Bell, Tiffany. ArtNews 89, no. 1, January: p.166 - 67
The State of the Art World: The Nineties Begin. Danto, Arthur C. The Nation, July 9: p.65 - 68
David Reed at Max Protetch Gallery. Fisher, Craig. Tema Celeste, January-March: p.64
The Anatomy of Autonomy: David Reed. Hagen, Charles. Artforum 29, no. 3, November: p.143-46
David Reed, Max Protetch Gallery. Mahoney, Robert. Arts Magazine 64, no. 5, January: p.102
The Legend Business. Perl, Jed. The New Criterion 8, January: p.60-62
Body’s Surplus: The Art of David Reed. Welish, Marjorie. Sulfur, Fall: p.115-122
David Reed, Max Protetch Gallery. Yau, John. Artforum 28, no. 5, January: p.8-9
1989
The 1989 Whitney Biennial. Danto, Arthur C. The Nation, June 5: p.778-92
David Reed, Asher/Faure Gallery. Donohue, Marlena. Los Angeles Times, December 9: p.17- 18
New From David Reed, A Modern Traditionalist. Kimmelman, Michael. The New York Times,
October 27: p.C31
David Reed at Asher/Faure Gallery. Rubin, Jane. Art issues, no. 3, April: p.28
1988
Reed moves toward Formal Periphery, His strategy is in the brushstroke. Gardner, Colin.
Los Angeles Herald Examiner, December 9: p.4
Nonrepresentation in 1988: Meaning-Production Beyond the Scope of the Pious. Gilbert-Rolfe, Jeremy. Arts Magazine 62, no. 9, May: p.30-39
David Reed, Max Protetch Gallery. Grimes, Nancy. The New Art Examiner 15, June: p.50
David Reed, Max Protetch Gallery. Hagen, Charles. Artforum 26, no. 8, April: p.147
David Reed: Max Protetch Gallery. Kimmelman, Michael. New York Times, February 5:p. C24
Abstract Ironies. Masheck, Joseph. The New Leader, October 20: p.21-22
David Reed: Max Protetch Gallery. Rubinstein, Meyer Raphael and Daniel Wiener.
Flash Art, no. 140, May-June: p.103
1987
Baroque Expansions. Bell, Tiffany. Art in America 75, no. 2, February: p.126-29, 161
Interstices: David Reed, Jonathan Lasker, Barry Bridgewood, and Will Mentor.Seliger, Jonathan.
Arts Magazine 61, no. 7, March: p.66-69
1986
Artifice and Artificiality: David Reed’s Recent Paintings. Carrier, David. Arts Magazine 60, no. 5, January: p.30-33, cover
The Return of Abstraction. Madoff, Steven Henry. ArtNews 85. no. 1, January: p.80-85
David Reed: Max Protetch Gallery. Smith, Roberta. The New York Times, October 24: p.C30.
1985
David Reed: Max Protetch Gallery. Brenson, Michael. The New York Times, April 5: p.C21.
1984
David Reed, Max Protetch Gallery. Bell, Tiffany. Arts Magazine 58, no. 6, February: p.5
David Reed at Protetch Gallery. Westfall, Stephen. Art in America 72, no. 3, March: p.164
1983
David Reed: Max Protetch Gallery. Brenson, Michael. The New York Times, November 25: p.C19.
1982
An Exhibition of Abstract Painting, Art Galaxy. Tatransky, Val.
Arts Magazine 57, no. 1, September: p.39
1980
David Reed, The Clocktower. Foster, Hal. Artforum 19, no. 4, December: p.72-73
David Reed at the Clocktower. Frank, Elizabeth. Art in America 68, no. 9, November: p.136- 37
David Reed1s Paintings. Sherry, James. Artforum 16, no. 5, January: p.54-55.
Artbreakers: New York1s Emerging Artists. Zimmer, William. Soho Weekly News, September 17: p.41
1979
Art Goes to Rock World on Fire: The Pounding of a New Wave. Zimmer, William. Soho Weekly News, September 27: p.33
David Reed at Max Protetch Gallery. Zimmer, William. Soho Weekly News, April 26: p.41
1977
David Reed, Max Protetch Gallery. Gold, Sharon. Artforum 15, no. 10, Summer: p.70
The Younger Generation: A Cross Section. Zimmer, William.
Art in America 65, no. 5, September-October: p.86-91
David Reed at Max Protetch Gallery. Zimmer, William. Soho Weekly News, March 17: p.24
1975
David Reed at Susan Caldwell Gallery. Gruen, John. Soho Weekly News, March 27: p.14
David Reed at Susan Caldwell Gallery. Schjeldahl, Peter. Art in America 63, no. 4,
July - August: p.100-101
David Reed, Susan Caldwell Gallery. Zimmer, William. Arts Magazine 49, no.10, June: p.8-9
1974
Marilyn Lenkowsky, David Reed, Herbert Schiffrin, Susan Caldwell Gallery. Frank, Elizabeth.
Art News 73, no. 8, October: 116-20
John Elder, Max Gimblett, David Reed at Cunningham-Ward Gallery. Frank, Peter. Soho Weekly News, March 21: p.14, 21
David Reed, Susan Caldwell Gallery. Gilbert-Rolfe, Jeremy. Artforum 12, no.10, June: p.70
1973
A Modest Proposal. Bowling, Frank. Arts Magazine 47, no. 4, February 1: p.55-59
WRITINGS, STATEMENTS, AND INTERVIEWS
2006
Liquid Rubens. Las Vegas: Guggenheim Hermitage Museum, May 12, 2006
Streets and Studios. High Time, Hard Times: New York Painting 1967-1975 exh cat.
New York: iCI and D.A.P.
2001
David Reed Responds to Questions Regarding Hitchcock’s Vertigo. Bickle Stiftlung, Ursula. Vertigo, exh. cat. Vienna: Museum fur Moderne Kunst
The Magic Hour: The Convergence of Art and Las Vegas. Graz, Austria: Ed. Alex Farquharson,
Neue Galerie Graz am Landesmuseum Joanneum.
David Reed on Lee Lozano. Siegel, Katy. Artforum, October.
1999
David Reed. Viveros-Fauné, Christian. New York Press, July 21-27, 1999, p.1
David Reed: Conversazione con Demetrio Paparoni. Paparoni, Demetrio. Tema Celeste,
Gennaio/Febbraio, N. 72, p.46
1998
“Scottie1s Place/Judy1s Place.” Carnal Pleasures: Desire, Public Space and
Contemporary Art. (San Francisco: Ed. Anna Novakov. Clamor Editions), p.111-121
1997
Journal. New Paintings for the Mirror Room and Archive in a Studio off the Courtyard. Graz, Austria: Neue Galerie am Landesmuseum Joanneum, p.13-23.
David Reed. Fotografie nach der Fotografie/Photography after Photography.
Berlin: Verlag der Kunst. p.301
David Reed. Peindre? Enquête & Entretiens sur la Peinture Abstraite. Paris: Eds. Claude Briand-Picard, Christophe Cuzin, Antoine Perrot. Positions, Galerie b Jordan m Devarrieux) p.112
David Reed: Vampire Journal Excerpt. New Observations, Ripple Effects: Painting and Language, #113. Winter: p. 6 - 7.
Between Artists: Twelve Contemporary American Artists Interview Twelve Contemporary American Artists. Ellis, Stephen. Los Angeles: A.R.T. Press, William S.
Bartman Foundation. p.183 - 194
David Reed: Eigentlich ist es die abstrakte Malerei, die heute die Errungenschaften der Pop-art fortsetzt und weiterentwickelt. Smolik, Noemi. Kunstforum 133 February - April: p.300 - 305.
1995
David Reed. Pittura/Immedia, Malerei in den 90er Jahren/ Painting in the ‘90’s. Graz: Neue Galerie am Landesmuseum Joanneum. p.120-21.
Hitchcock’s Schlaftzimmer. Krebber, Sabine. Stuttgarter Nachrichten, July 7: Kultur Magazin 13 von Bilder vom Bruch im Selbst. Taschitzki, Thomas. Kölner Stadt-Anzeiger, March 12: p.39
1994
David Reed. Fractured Seduction. Tel Aviv: Artifact Gallery.
1993
Media Baptisms. M/E/A/N/I/N/G #13, May: 31-33
David Reed. Der zebrochene Spiegel: Positionen zur Malerei/The Broken Mirror:
Approaches to Painting. Vienna: Museumsquartier Messepalast und Kunsthalle Wien. 118‹21.
David Reed. Prospect OE93: Eine Internationale Ausstellung aktueller Kunst/Prospect OE93:
An International Exhibition of Contemporary Art.
Frankfurt: Frankfurter Kunstverein and Schirn Kunsthalle. p.355
Italia-America: L’astrazione redimita. Paparoni, Demetrio. San Marino: Galleria Nazionale d1Arte Moderna, p.129-33
1992
Media Baptisms. Abstrakte Malerei zwischen Analyse und Synthese/Abstract Painting
between Analysis and Synthesis. Vienna: Galerie nächst St. Stephan. p.123 - 34
Two Bedrooms in San Francisco. Two Bedrooms in San Francisco. San Francisco Art Institute.
1991
Reflected Light: In Siena with Beccafumi. Arts Magazine, March: p.52-53
Tradition, Eclecticism, Self-Consciousness: Baroque Art and Abstract Painting. Arts Magazine
January: p.44 - 49.
1990
David Reed. Ellis, Stephen. A.R.T. Press, William S. Bartman Foundation, Los Angeles
1989
Memories of Rome. New Observations #68, June: p.20 - 23
1988
Rubinstein, Raphael. ETC. Magazine, Montreal, Canada, Summer: p.31 - 33
Seliger, Jonathan. Journal of Contemporary Art, Spring: p.67-8
1984
I Knew It to Be So! - Forest Bess, Alfred Jensen, Myron Stout, Theory and the Visionary. New York Studio School.
1975
On Jumping. and Intermediate Cases. Art-Rite, Spring: 9